It almost seemed as though the game meant to challenge these issues, and pulled out at the last minute in the hope that no one playing would get offended. That whole Kanji thing made no sense to me. I used to be terrified of girls in my youth, but never for a second thought I was attracted to men. My social anxiety was due to my attraction to them and even at that age I knew that.
Denial of the Self: Queer Characters in Persona 4
Persona 4 is full of fascinating, psychologically complex characters. But when it comes to issues of sexuality and gender identity, the game fails to face the truth.
Here, I hoped that Persona 4 might go some distance toward redeeming itself. There's great potential in exploring the feelings of a young person who is struggling with his sense of gender identity. But again, Persona 4 let me down. After you defeat Naoto's shadow self, Naoto explains that he read many hard-boiled crime novels as a child, and admired the cool, detached detectives in them. It is not, Naoto says, that he is transgender that has led him to live as a boy for so long. It is simply that being female "doesn't fit my ideal image of a detective."
Much like what you discover to be the reality of Kanji's internal conflict, this internal conflict rang false. To me, it's unheard of for a person to go so far as to live as a gender other than the one they are physically assigned at birth simply because they feel a connection to fictional characters of that genre or because their assigned gender doesn't fit their ideal image of a person in a certain profession. Naoto says, "What I must strive for isn't to become a man. It's to accept myself for who I really am." It would have been so much more interesting and believable to me if "a man" was one part of who Naoto really was. (This doesn't mean that I think Naoto should have continued to desire surgery, as the scenario in his dungeon suggests; one can identify as and be a man or a woman regardless of one's physicality. See the film Boys Don't Cry, for instance, for a portrayal of a man who is no less a man for being physically female, even if not everybody he meets sees it that way.) The idea that he was just deeply confused about his own gender because of all those detective novels he read strains credulity and, like Kanji's story arc, reinforces the notion that queer identities are to be feared and rejected. (Because, in the original Japanese dialogue for the game, Naoto continues to refer to himself using the male pronoun boku, I feel it is appropriate to refer to him with male pronouns, as well.)
The discovery that Naoto is physically female immediately trumps all of the years he has spent living as a male.
No sooner have you rescued Naoto than the other members of the investigation team significantly alter their treatment of him. Rise calls him "missy." Yukiko explains away Naoto's inability to deal with a particular situation by saying, "Naoto-kun is younger than us, and she's a girl." Yosuke, who, if his paranoid behavior around Kanji is any indication, would never have flirted with Naoto while believing him to be physically male, now tells him, "You're pretty cute when you're angry." And when the investigation team goes to a hot spring together, the girls in the group marvel at Naoto's female physique and remark on the softness of his skin and the silkiness of his hair.
Though Naoto has stated that, despite living as a boy for so long, he does not fully identify as male, these behaviors still struck me as disrespectful of Naoto's gender identity. Without asking him how he wants to be treated, they immediately start speaking about him as if he's just another one of the girls in the group; the discovery that he is physically female immediately trumps all of the years he has spent living as a male. One of the most blatant examples of this comes when Kanji, who finds himself attracted to Naoto, practically demands that Naoto participate in a school beauty pageant, saying that if Naoto does so, his doubts about himself "will finally be cleared." "C'mon, make me a man!" he says, suggesting that if he were gay, he would not really be a man.
Even more troubling is the way that Naoto's gender expression can be altered by you, the player, if you pursue a romance with him. Of course, if Naoto were a real person, anyone who requested that he change his gender presentation would not be someone who respected and cared for the person he really is. But Persona 4 doesn't raise any ethical questions about you asking Naoto to drastically change; it's as if the game thinks this is acceptable, since deep down, Naoto is "really" female anyway. (Troubling attitudes about women in general surface periodically throughout the game, but that is a whole separate topic.)
Persona 4's handling of Kanji and Naoto is more than just a disappointing failure to engage with queer characters and queer issues.
The always thought-provoking Mattie Brice has written in detail about your ability to shape Naoto's gender expression in this post at the Border House. Brice writes, "There is a scene after you confess your love for Naoto when he asks the player if they want him to start talking with a higher pitch to his voice to sound more feminine, and if they choose to have a higher pitch, he will dress up in a girl's school uniform during the Christmas event. This event is more poignant in the Japanese version of this scene; instead of the pitch of his voice, he asks the protagonist if he minded Naoto's use of 'boku.'" In other words, you can cause a complete, fundamental shift in how Naoto sees and refers to himself. Brice continues, "The scene when Naoto dresses up in a girl's uniform completely transforms his personality; he's now always blushing, stammering, quiet, scrunched up as much as he can into himself… Naoto's Social Link was an extreme waste of an opportunity to explore the intricacies of a relationship when at least one partner is transgender."
I agree with Brice. In fact, I think Persona 4 is full of wasted opportunities, and that ultimately, its handling of Kanji and Naoto is more than just a disappointing failure to engage with queer characters and queer issues. By introducing the idea that Kanji is gay and that Naoto is transgender and then backing away from embracing those characterizations, Persona 4 represents a betrayal of its central theme about people learning to accept themselves and each other for who they are, and sends the message that such sexual orientations and gender identities are too scary to accept. I want to see more LGBT characters in games, but not like this. It's almost as if Persona 4 has some lingering issues dwelling in its own psyche that it hasn't quite come to terms with.





